:::this is the way the world ends:::

Author: J.E. (Page 4 of 6)

Kurt Vonnegut 1922 – 2007

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Any reviewer who expresses rage and loathing for a novel is preposterous. He or she is like a person who has put on full armor and attacked a hot fudge sundae.

Life happens too fast for you ever to think about it. If you could just persuade people of this, but they insist on amassing information.

I tell you, we are here on Earth to fart around, and don’t let anybody tell you different.

Still and all, why bother? Here’s my answer. Many people need desperately to receive this message: I feel and think much as you do, care about many of the things you care about, although most people do not care about them. You are not alone.

Three (or more) Most Important Books

I mentioned in the Potter post that I couldn’t remember where I “picked up” the beliefs similar to “Nonviolent Communication” concepts that Peters and Amanda champion but now I realize that they came from a book I read over ten years ago called The Moral Animal, by Robert Wright (suggested to me by Liz). Wright isn’t really a scientist but a science writer. He is very skillful at mixing scholarly research and with historical context into a very readable form for the non-scientist. The Moral Animal primarily explains many of the theories of evolutionary psychology and uses the concepts to psychoanalyze the life of Charles Darwin. The Moral Animal is also the most important book I’ve every read. It blew my 22-year-old mind and continues to influence me a decade later.

Which got me thinking…. What are the most important books the Hollow Men (and Women of course) have read? Note that I’m not asking which are best books but the most important – the books that changed your life or the books that irrevocably changed the way you see the world. Perhaps they are not the best book by that author (certainly the case with my list). Perhaps if you read these books now they would not have the same effect on you. Perhaps there was something going on in your life at the time that made the book important.

Here is my list:
The Moral Animal, by Robert Wright
Two Minutes of Silence, by H. C. Branner
The Power of Myth, by Joseph Campbell

Depression: or How We Learned to Stop Having Fun.

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I read a fascinating article in the Guardian Books section a few days ago and have been trying to find time to share it with you. This is an excerpt from Barbara Ehrenreich’s new book, Dancing in the Streets: A History of Collective Joy. I have posted only the skeleton of her thesis. Read the whole excerpt here.

As you know, I am fascinated by the Reformation and it’s fall out. It seems as though it’s effect, or the forces that lead to it, cannot be over estimated. So I’m eating this stuff up.

Beginning in England in the 17th century, the European world was stricken by what looks, in today’s terms, like an epidemic of depression. The disease attacked both young and old, plunging them into months or years of morbid lethargy and relentless terrors, and seemed – perhaps only because they wrote more and had more written about them – to single out men of accomplishment and genius. The puritan writer John Bunyan, the political leader Oliver Cromwell, the poets Thomas Gray and John Donne, and the playwright and essayist Samuel Johnson are among the earliest and best-known victims.

But melancholy did not become a fashionable pose until a full century after Burton took up the subject, and when it did become stylish, we must still wonder: why did this particular stance or attitude become fashionable and not another? An arrogant insouciance might, for example, seem more fitting to an age of imperialism than this wilting, debilitating malady….

Nor can we be content with the claim that the apparent epidemic of melancholy was the cynical invention of the men who profited by writing about it, since some of these were self-identified sufferers themselves. Robert Burton confessed, “I writ of melancholy, by being busy to avoid melancholy.”

And very likely the phenomena of this early “epidemic of depression” and the suppression of communal rituals and festivities are entangled in various ways. It could be, for example, that, as a result of their illness, depressed individuals lost their taste for communal festivities and even came to view them with revulsion. But there are other possibilities. First, that both the rise of depression and the decline of festivities are symptomatic of some deeper, underlying psychological change, which began about 400 years ago and persists, in some form, in our own time. The second, more intriguing possibility is that the disappearance of traditional festivities was itself a factor contributing to depression.

Which is preferable: a courageous, or even merely grasping and competitive, individualism, versus a medieval (or, in the case of non-European cultures, “primitive”) personality so deeply mired in community and ritual that it can barely distinguish a “self”? From the perspective of our own time, the choice, so stated, is obvious. We have known nothing else.

But we cannot grasp the full psychological impact of this “mutation in human nature” in purely secular terms. Four hundred – even 200 – years ago, most people would have interpreted their feelings of isolation and anxiety through the medium of religion, translating self as “soul”; the ever-watchful judgmental gaze of others as “God”; and melancholy as “the gnawing fear of eternal damnation”. Catholicism offered various palliatives to the disturbed and afflicted, in the form of rituals designed to win divine forgiveness or at least diminished disapproval; and even Lutheranism, while rejecting most of the rituals, posited an approachable and ultimately loving God.

Not so with the Calvinist version of Protestantism. Instead of offering relief, Calvinism provided a metaphysical framework for depression: if you felt isolated, persecuted and possibly damned, this was because you actually were.

The immense tragedy for Europeans, and most acutely for the northern Protestants among them, was that the same social forces that disposed them to depression also swept away a traditional cure. They could congratulate themselves for brilliant achievements in the areas of science, exploration and industry, and even convince themselves that they had not, like Faust, had to sell their souls to the devil in exchange for these accomplishments. But with the suppression of festivities that accompanied modern European “progress”, they had done something perhaps far more damaging: they had completed the demonisation of Dionysus begun by Christians centuries ago, and thereby rejected one of the most ancient sources of help – the mind-preserving, life-saving techniques of ecstasy.

Post Omnibus

This is my official return to the blog.

(pause for applause.)

1) Our house is on the market now and we’ve had some stong interest already. I’ll post the MLS listing as soon as it is available.

2) I came across the painting below, Gasthof zur Muldentalsperre by Peter Doig, in an old issue of Harper’s that had been lying around for a few months. I reminded me a bit of some of Ned’s work. Especially Concrete Cabin. I’ve had some Doig’s images on my computer desk top for a few weeks now. I think they’re in my dreams now.

3) Here is another modern use of the pipe organ: Megalomania from an early Muse album, Origin of Symmetry. And another track thrown in for good measure: New Born. My guess is that Muse is a bit too bombastic for the tastes of the Hollow Men brothers but I like their baroque operaticism. Their newer albums are more refined but, sadly, they don’t feature the pipe organ. Some people say Muse sounds like Radiohead but a close listening will reveal that Muse is much more romantic and hot-blooded than the ultra-cool Radiohead. Perhaps Muse could be described as a blending of the best of Radiohead and Queen.

4) I am currently reading The Mill and the Cross: Peter Bruegel’s “Way to Calvary” by Machael Francis Gibson — very well written art history. Reading one book about one painting is very enjoyable. I only wish I could see the painting first hand.

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Recommended: Pan’s Labyrinth

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Though there are more scenes of graphic violence than I would have liked I highly recommend this movie. I didn’t see a better movie in 2006 and I don’t expect to see a better movie in 2007. I’m looking forward to Netflixing Guillermo del Toro’s other work as well.

Rapatronic Wednesday

From Damn Interesting (one of my favorite ways of wasting time on the internet).

I saw this for the first time two months ago and the images have set up shop in the same part of my brain that houses the 500 kV video I posted last month. I find these images sublime and hypnotic — like catching a glimpse of the end and beginning of the universe.

During the early days of atomic bomb experiments in the 1940s, nuclear weapons scientists had some difficulty studying the growth of nuclear fireballs in test detonations. These fireballs expanded so rapidly that even the best cameras of that time were unable to capture anything more than a blurry, over-exposed frame for the first several seconds of the explosion.

Before long a professor of electrical engineering from MIT named Harold Eugene “Doc” Edgerton invented the rapatronic camera, a device capable of capturing images from the fleeting instant directly following a nuclear explosion. These single-use cameras were able to snap a photo one ten-millionth of a second after detonation from about seven miles away, with an exposure time of as little as ten nanoseconds. At that instant, a typical fireball had already reached about 100 feet in diameter, with temperatures three times hotter than the surface of the sun.

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I Like Lentils

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Liz and I have trouble taking the time to feed ourselves properly — especially for supper. But tonight we had one of our favorite meals. This recipe is very good and very simple.

Lentil Soup

16 oz. (2 1/2 cups) dry lentils
8 c. water
4 stalks celery, sliced
5 carrots, sliced
1/4 c. parsley, chopped
2 t. salt
3/4 t. pepper
1 onion, sliced
2 cloves garlic, minced
16 oz can (2 c.) tomatoes, undrained, sliced
3 T. red wine vinegar

Combine lentils, water, celery, carrots, parsley, salt, pepper, onion and garlic. Bring to boil. Reduce heat. Cover; simmer 1 1/2 hours. Stir in tomatoes and vinegar. Cover; simmer an additional 30 minutes.

Stir often in the last hour or so. The lentils like to stick to the bottom. The vinegar and tomatoes make this really good — don’t be tempted to substitue!

We usually have this with red wine, whole wheat tortillas or soda bread. Hope you like it.
Please post some of your staples. Liz and I need new food.

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